'When we hear the word ‘critics’, the implication is that we are talking about literature; their lowbrow cousins warrant clarifiers, such as ‘film critics’ or ‘music critics’. In Australia, film critics are effectively quarantined from most major writing grants and arts funding for nonfiction or criticism – they are politely fobbed off to screen industry bodies who (at best) politely bounce them back. Alongside a number of other factors, professional film critics in this country risk becoming considered little more than dedicated hobbyists, something addressed recently by Cameron Williams.' (Introduction)