'The sequel to Stillways, Steve’s acclaimed first memoir. Wine bars and strip clubs. Girls with flowers in their hair. Lust, and the best music the world has ever heard.
'A thousand steps from the farm to the blue black highway, the adventure continues... In the sequel to his highly acclaimed first memoir Stillways Steve Bisley lands smack dab in the middle of Sydney. It’s 1966. High-waisted bell bottom pants, paisley body shirts, velvet jackets, platform shoes and a lust for everything life has to offer him. And it offers him a lot.
'From cadet graphic artist to private eye, lover, fighter, dreamer, milk man, truck driver and everything in between and then some. Till the day he auditions for the acting course at The National Institute of Dramatic Art and to his dismay is accepted, along with fellow classmates, Judy Davis and Mel Gibson. Three years later, on their graduation day, Mel and Steve are cast in a film that will change their lives forever. The Iconic Australian cult film Mad Max.
'In this sensory and poetic memoir, actor Steve Bisley reflects on loving, losing, wrecking and running – the bridges burned – in the decades since hitchhiking away from the small family farm on the central coast of NSW in the 1960s. He explores with confronting honesty what it is to live on the edge of uncertainty, regret, despair and depression as an actor, lover and father, a life held together at times 'by bits of frayed cotton and Perkin’s paste and hope.'
Source: Publisher's blurb.
'Unless we are hardcore hermits, our lives intersect with the lives of others, for good and for bad, sometimes with love, sometimes with hate. This is one of the challenges of writing memoirs or autobiographical novels: you can be as kind, or as unkind, to yourself as you like but you need to be sensitive to, or at least aware of, the feelings of other people.' (Introduction)
'Unless we are hardcore hermits, our lives intersect with the lives of others, for good and for bad, sometimes with love, sometimes with hate. This is one of the challenges of writing memoirs or autobiographical novels: you can be as kind, or as unkind, to yourself as you like but you need to be sensitive to, or at least aware of, the feelings of other people.' (Introduction)
