Issue Details: First known date: 2017... 2017 Acts of Stammering and Aesthetic Nervousness : Reflections on Intervention in Applied Theatre Practice
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

Interventionist agendas in applied theatre constantly require scrutiny into the problematic claims of transformation and empowerment. There is a need to examine the power structures that underline any kind of work done with disempowered communities, where applied theatre practitioners are often in positions of 'privilege' and 'authority'. In this paper, I draw together the discussions surrounding these issues, paying attention to the call for a more ethical practice when dealing with representations made in the process of applied theatre work. Importantly, I recognise that these demands can leave facilitators feeling vulnerable, especially when things do not go well. Instead of ignoring them, I propose that 'acts of stammering' - moments of uncertainty - serve as points of reflection for the facilitator. Drawing on an example of a project with disabled people, the notion of 'aesthetic nervousness' is then used as a lens to better understand the act of stammering encountered by the facilitator. (Abstract)

Notes

  • Focuses on theatre practice with groups of people with disabilities.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Social Alternatives Performance, Community and Intervention vol. 36 no. 2 2017 12166857 2017 periodical issue

    'When we were invited as co-editors of a special issue on performance, we immediately began discussions on a theme that we felt strongly about. The two of us have had numerous collegial discussions while completing our doctorates (at separate institutions), and one topic that kept returning in our conversations was the issue of working responsibly with other peoples stories and experiences. As feminists we were both sensitive to the implications of speaking on someone else's behalf...' (Introduction)

    2017
    pg. 6-12
Last amended 8 Feb 2019 14:33:01
6-12 Acts of Stammering and Aesthetic Nervousness : Reflections on Intervention in Applied Theatre Practicesmall AustLit logo Social Alternatives
Informit * Subscription service. Check your library.
Newspapers:
    Powered by Trove
    X