'Written by award-winning author John Rickard, An Imperial Affair takes us into the marriage of an Australian couple during a time when private lives were properly private, and when divorce was a scandal. The book shines a light on the family values and sexual dynamics of this period, conditioned as they were by the imperial relationship and cultural dependence on 'the mother country,' which inevitably helped shape hopes, fear, and desires. This is also a beautifully told story of the author's sensitive and courageous quest to understand his parents Philip and Pearl, and the world he came from and grew up in, its fragile reality filtered through the prism of memory. Part biography, part autobiography, part social history, An Imperial Affair is also a complex, quintessentially Australian meditation on the nature of love.' (Publication summary)
'Once a comparatively rare beast, historians’ autobiographies are becoming prevalent to the point of being commonplace. Since the 1980s, such works have crystallised into a genre and have become a historiographic growth area. Limiting the head count to monograph-length works, a dozen historians’ memoirs were published in the 1970s, rising to three dozen in the 1980s, five dozen in the 1990s, and the contributions continue apace. Once on the fringes of the historical enterprise, historians’ memoirs are now edging closer to centre stage. Increasing frequency has lent respectability. There remain significant pockets of resistance, the usual canards being that autobiography is inescapably egotistical, self-indulgent and narcissistic. Nonetheless, the genre is rapidly gaining acceptance and being treated seriously – and not simply historians’ autobiographies but autobiography by academics generally. Almost without exception, historians’ autobiographies contain a chapter or chapters on childhood and coming of age. In parallel with the increasing prevalence of historians’ autobiographies, a subgenre devoted to the childhoods through to the young adulthoods of historians has also become a growth area. We are concerned in this chapter with three such works: Sheila Fitzpatrick’s My Father’s Daughter (2010); John Rickard’s An Imperial Affair (2013); and James Walvin’s Different Times (2014).' (Introduction)
'Historian John Rickard recalls an Australia in which private lives occasionally teetered on the edge of scandal'
'Historian John Rickard recalls an Australia in which private lives occasionally teetered on the edge of scandal'
'Once a comparatively rare beast, historians’ autobiographies are becoming prevalent to the point of being commonplace. Since the 1980s, such works have crystallised into a genre and have become a historiographic growth area. Limiting the head count to monograph-length works, a dozen historians’ memoirs were published in the 1970s, rising to three dozen in the 1980s, five dozen in the 1990s, and the contributions continue apace. Once on the fringes of the historical enterprise, historians’ memoirs are now edging closer to centre stage. Increasing frequency has lent respectability. There remain significant pockets of resistance, the usual canards being that autobiography is inescapably egotistical, self-indulgent and narcissistic. Nonetheless, the genre is rapidly gaining acceptance and being treated seriously – and not simply historians’ autobiographies but autobiography by academics generally. Almost without exception, historians’ autobiographies contain a chapter or chapters on childhood and coming of age. In parallel with the increasing prevalence of historians’ autobiographies, a subgenre devoted to the childhoods through to the young adulthoods of historians has also become a growth area. We are concerned in this chapter with three such works: Sheila Fitzpatrick’s My Father’s Daughter (2010); John Rickard’s An Imperial Affair (2013); and James Walvin’s Different Times (2014).' (Introduction)
