'Rae Desmond Jones has stated that for him poetry and politics are mutually contradictory pursuits, yet his poetry, concerned with how people and classes interact, is, like all art, necessarily political. Poems explore, often comically, types of capital, and its deployment of power, from the cruising ‘sharks’ in the street menacing bypassers, to teacher-student relationships finally pushed into hatred: ‘the room constricts us all / i almost say get out / go back to your DVDs & your hopeless dreams: / be unemployable… let there be war between us’ (‘Decline and fall’). Jones limns a dichotomy between the powerful and the powerless, fumigating, and sometimes almost deifying, its ambiguity and irresolvability.' (Introduction)