Issue Details: First known date: 2016... 2016 ‘The Trees and Grass and River and Myself’ : Vida Lahey and Madge Roe as Cultural Subjects
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Madge Roe was a Brisbane-based illustrator who specialised in Australian flora and fauna. She captured the everyday in sketches and line illustrations to share with family and friends, and donated her time and talents to public causes. Although an avid supporter of and participant in Brisbane cultural groups, she was not a leading artist. Vida Lahey, however, was highly respected nationally and developing an international reputation. Both artists were embedded in family networks that sustained and promoted their well-being; both engaged with Brisbane culture, though in very different ways. In this paper, I argue for thinking holistically about culture and place as they are engaged by meaning-making ‘subjects’. Through Lahey's painting, Memoriam to Madge Roe, Roe's death notice and family sources, I focus on the articulation by subjects of geo-cultural meanings. By using this term, I indicate that meaning making is closely tied to place, to transitions between places and to the family as a form of subject ‘placement’.'  (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Queensland Review vol. 23 no. 1 June 2016 12016999 2016 periodical issue

    'This issue's cover image, ‘Parallel Universe: Stones Corner’, comes from the Museum of Brisbane exhibition, Navigating Norman Creek. Trish FitzSimons created a series of short documentaries that reveal the natural and social ecosystems sustained by Norman Creek, even as the city encroaches ever closer and more densely. The overhanging branches of her arresting image form a barrier that protects the stream, its wildlife and the local people who use the creek for recreation and dreaming. It also suggests that this place has survived because there is something impenetrable about it. This image sets up a theme about habitat and dwelling that loosely links the essays in this issue.' (Editorial introduction)

    2016
    pg. 49-61
Last amended 13 Oct 2017 12:20:33
49-61 ‘The Trees and Grass and River and Myself’ : Vida Lahey and Madge Roe as Cultural Subjectssmall AustLit logo Queensland Review
X