Issue Details: First known date: 2017... 2017 Ruby Lindsay : A Professional Artist of the Suffrage-era
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AbstractHistoryArchive Description

'Ruby Lindsay was born in Creswick Victoria in 1885, into a family whose name would become synonymous with Australian art. This was also a time of immense change for Australian women with the emergence of first wave feminism, focusing on taking women out of the private domestic sphere of the home. The campaign for women's suffrage was a great catalyst for these changes, as it not only gained women the vote but a voice within a male-centric society. This article explores how Ruby was able to navigate her way through these times of change, live an independent lifestyle in Melbourne, move to London with her husband Bill Dyson and forge a successful career for herself as a professional artist during the suffrage-era. As a prolific illustrator, her drawings appeared in many newspapers and books between 1906 and 1914. Although few of her works refer specifically to the suffrage campaign many of her women subjects were strong and independent and reflect Ruby's own personality, taking full advantage of the freedoms afforded to her during the latter part of the suffrage-era and using those freedoms as inspiration in her art.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Lilith no. 23 2017 12016323 2017 periodical issue

    'Intersectionality is a relatively recent term for a deeply historic phenomenon. It refers to the way in which individuals and groups are caught in intersecting systems of oppression, such as class, race and gender. As Ange-Marie Hancock argues, intersectionality has been a ‘pathbreaking analytical framework for understanding questions of inequality and injustice’.1 It has become part of popular culture in recent years as the rise of populism and the growth of inequality in countries across the world have inspired new movements of solidarity between all those who think that black lives matter, or who reject a narrow view of immigration that sees Australia and New Zealand resorting to notions of labour productivity that are closely intertwined with race and gender. Who is understood as deserving in a nation, whether immigrant, refugee, poor, or of colour? Who decides this—and who protests these decisions? How this notion of ‘deserving’ is enacted upon—how this decision is made—is a site upon which individuals negotiate the intersections between huge systems that seek to define populations and individuals. Who gets to use which bathroom or wear which school uniform? Who can go through passport control with ease? The popular rise in engagement with intersectionality evident in these current political examples was anticipated and accompanied by the growth of scholarship on the phenomenon.'  (Editorial introduction)

    2017
    pg. 23-33
Last amended 13 Oct 2017 09:52:23
23-33 Ruby Lindsay : A Professional Artist of the Suffrage-erasmall AustLit logo Lilith
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