Issue Details: First known date: 2004... 2004 Writing the Circle : The Politics of the Sacred Site : The Kadaitcha Sung by Sam Watson
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'In Sam Watson's first novel, The Kadaitcha Sung, the sacrosanct traditional concepts of 'Law' and `Business', firmly anchored in land and Aboriginal oratory, are given an additional contemporary meaning through print. It reaches from the realm of time immemorial directly into the political arena of a 1990s Australia or, in terms specific to Watson's narrative, from bora ring to city perimeter, from the sacred into the profane. There is an elegant twist inherent in this transition, however, because once sacred space makes its entry into profane place — the margin on which most Aboriginal people live today — its immense power to influence contemporary Aboriginal thinking is upgraded. The revisioning of the sacred, or, one might say, the re-adaptation of Law and Business to the public sphere of everyday life, effects a compelling re-politicization of the culture of Dreaming. ' (Introduction)

Notes

  • Epigraph:

    'Yunderra, Yunderra! The picture you paintin'

    Belong 'im to Dream-Time, the Dream-Time has gone

    You travel — Gunjvidee, and Pintajandera, the tribes

    Of the strangers give orchre in stone. You scratch an' you scribblin' on rock all the day

    The Dream-Time he long gone — why paint 'im this way.' 

    `You gwarng-gwarng.

    You bin lost your Dreaming

    Your spirit, your manhood, him walk longa night

    The Dream-Time, he day time, I walk longa seeing

    The Law of my People, the Business he right!

    The ochre him drawin' the track Spirit follow

    I walk longa t'ousand mile, bin get 'im clay

    My footsteps bin follow the track of my fathers

    That Law say I draw 'im on rock what Law say!'l 

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Circle and the Spiral : A Study of Australian Aboriginal and New Zealand Maori Literature The Circle & the Spiral Eva Rask Knudsen , Amsterdam New York (City) : Rodopi , 2004 Z1106371 2004 multi chapter work criticism

    From publisher's blurb: 'In Aboriginal and Maori literature, the circle and the spiral are the symbolic metaphors for a never-ending journey of discovery and rediscovery. The journey itself, with its indigenous perspectives and sense of orientation, is the most significant act of cultural recuperation. The present study outlines the fields of indigenous writing in Australia and New Zealand in the crucial period between the mid-1980s and the early 1990s - particularly eventful years in which postcolonial theaory attempted to "centre the margins" and indigenous writers were keen to escape the particular centering offered in seach of other positions more in tune with their creative sensibilities. Indigenous writing relinquished its narrative preference for social realism in favour of traversing old territory in new spiritual ways; roots converted to routes.' ... The Circle and the Spiral looks for 'locally and culturally specific tracks and traces that lead in other directions than those catalogued by postcolonial convention. This agenda is pursued by means of searching enquiries into the historical, anthropological, political and cultural determinants of the present state of Aboriginal and Maori writing (principally fiction).'

    Amsterdam New York (City) : Rodopi , 2004
    pg. 269-312
Last amended 9 Oct 2017 13:50:44
269-312 Writing the Circle : The Politics of the Sacred Site : The Kadaitcha Sung by Sam Watsonsmall AustLit logo
Subjects:
Newspapers:
    Powered by Trove
    X