image of person or book cover 1327887670097852708.jpg
This image has been sourced from online.
Issue Details: First known date: 2013... 2013 Stories about Stories : Fantasy and the Remaking of Myth
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Myth is oral, collective, sacred, and timeless. Fantasy is a modern literary mode and a popular entertainment. Yet the two have always been inextricably intertwined. Stories about Stories examines fantasy as an arena in which different ways of understanding myth compete and new relationships with myth are worked out. The book offers a comprehensive history of the modern fantastic as well as an argument about its nature and importance. Specific chapters cover the origins of fantasy in the Romantic search for localized myths, fantasy versions of the Modernist turn toward the primitive, the post-Tolkienian exploration of world mythologies, post-colonial reactions to the exploitation of indigenous sacred narratives by Western writers, fantasies based in Christian belief alongside fundamentalist attempts to stamp out the form, and the emergence of ever-more sophisticated structures such as metafiction through which to explore mythic constructions of reality.'  (Publication summary)

Notes

  •  Contents indexed selectively.

Contents

* Contents derived from the New York (City), New York (State),
c
United States of America (USA),
c
Americas,
:
Oxford University Press , 2013 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Constructing a Postcolonial Zone : The Example of Australia, Brian Attebery , single work criticism

'In Australia, where the oppression of native peoples and cultures was, if anything, even more severe than in North America, it has been harder to create contact zones, and, as discussed in chapter 5, attempts by white writers such as Patricia Wrightson to blend their traditions with those of indigenous Australians have been met with suspicion or hostility. Non-Aboriginal writers from Australia have generated such a collection of ignorant, patronizing, and demeaning texts about Aborigines that some of the latter want to call a halt to any further attempts. As the novelist Melissa Lucashenko says, "Who asked you to write about Aboriginal people? If it wasn't Aboriginal people themselves, I suggest you go away and look at your own lives instead of ours. We are tired of being the freak show of Australian popular culture" (quoted in Heiss 10). Whereas American writers often treated native cultures as noble, if doomed, and Indian characters as heroic adversaries or guides to the white hero (as in James Fenimore Cooper Leatherstocking series), early depictions of Aboriginal people at best treat them as part of the landscape and at worst—and there is a pretty clear worst in Austyn Granville lost-world romance The Fallen Race (1892)—as subhuman.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 9 Oct 2017 13:22:56
Newspapers:
    Powered by Trove
    X