'Kim Scott’s fifth novel, Taboo, is an extraordinary testament to the new energies in Aboriginal storytelling that have emerged since the 1990s, the decade the Mabo decision overturned the legal fiction of terra nullius and recognised Aboriginal land claims in Australian law for the first time. As Scott said in 2012: ‘This is an Aboriginal nation, you know. It’s black country, the continent. Some people are starting to think about: can we graft a contemporary Australian community onto its Indigenous roots?’ (Introduction)