Brought to you by this passionate and highly focused team of young editors and designers, Verandah 32 not only directs the spotlight onto boundary-breaking writing, trending to the experimental, but its also innovative in its dual modality. This year, the print version of the journal shows the prize winners for both written and graphic contributions, along with an editors' selection, while the e-edition extends this offering with some additional longer pieces. The visual art here ranges from the virtuosic elegance of Kellie Jane's almost synesthetic flower sequence, through Charles Thompson's photographic performance of 'masculine' trades, the imaginative whimsy of Caleb Lun's 'Found' and Rhys Purton's 'Journal Page' to the boundary-crossing provocation, of which the celebratory Warhol-esque conceit of Orange is the New Black's 'Lola' is emblematic. (Foreword introduction)
