'Blindness and Rage is the latest addition to an oeuvre that has established Brian Castro as a prodigy of hybridity. Castro’s heritage (Portuguese, Chinese, and English) is as uniquely mixed as the generic categories of his work, such as the blend of fiction and autobiography that won him such acclaim in Shanghai Dancing (2003). Blindness and Rage, at once ‘a phantasmagoria’ and ‘a novel in thirty-four cantos’, reprises some familiar themes in Castro’s signature style: a cosmopolitanism that shuttles restlessly between Adelaide, Paris, and Chongqing; the ludic propensities of an inveterate paronomasiac who wears his learning on his sleeve; a fascination with the vocational archetypes of the writer and the architect.' (Introduction)