'Sex and the millennial city
'Natalie Yang has just published her memoir, Banana Girl, a sexually explicit look at life as a twenty-something woman in millennial Australia. It isn’t the heart-warming migrant story that people expected. Nor is it a feminist call to arms. And it certainly isn’t on the best-seller lists.
'Going Down is the first full-length play for STC by Michele Lee, winner of the 2016 Queensland Premier’s Drama Award for her play Rice.
'Co-produced with Malthouse Theatre, it’s a brutally funny and frank examination of flawed characters failing at life in the most outrageous ways possible.
'Natalie, for one, has washed up on the shores of anonymity. But she isn’t going to wallow in existential crisis, she’s going to double down. Her next book, 100 Cocks in 100 Nights, could be the scandalous reboot her career needs. Or it could be a complete disaster. Only when she hits rock bottom will she find a way back up.
'"Look, let’s not talk about the Mekong. We’re all women here. Let’s talk about the female gaze. On sex. That’s my life. That’s what I write about." Natalie'
Source: STC.
Green Room Awards:
World premiere, Sydney Theatre Company (Wharf 2 Theatre, 23 March to 5 May 2018).
Director: Leticia Cáceres
Lighting Designer: Sian James-Holland
Composer & Sound Designer: The Sweats
Cast: Catherine Davies, Josh Price, Naomi Rukavina, Jenny Wu
Subsequently presented at Malthouse Theatre, 10 May to 3 June 2018, with the same cast and crew.
'Going Down, premiering at the Sydney Theatre Company this month, is the tale of a young woman who is trying to tell her story honestly, failing miserably and getting very confused along the way.' (Introduction)
'Going Down is a vibrant, layered comic exploration of stereotypes, from piccolo-quaffing urban Melbournites to migrant memoirists from ethnic minorities.' (Introduction)
'Going Down is a vibrant, layered comic exploration of stereotypes, from piccolo-quaffing urban Melbournites to migrant memoirists from ethnic minorities.' (Introduction)
'Going Down, premiering at the Sydney Theatre Company this month, is the tale of a young woman who is trying to tell her story honestly, failing miserably and getting very confused along the way.' (Introduction)