'This year marks the thirtieth anniversary of the publication of Bruce Chatwin’s The Songlines, one of the most influential books about Australia to reach an international audience. It appeared just months after The Fatal Shore (1986) by Robert Hughes, and a year before the first major international exhibition of Aboriginal art, Dreamings, opened in New York City, at the Asia Society. The Songlines was a best-seller internationally and sold well in Australia too; it has been in print continuously since 1987. Chatwin died barely eighteen months after the book’s release. Indeed, the book’s deviations from its own plot in its second half, and its rather fractured recourse to journal entries reflected Chatwin’s sudden intimation of mortality.' (Introduction)