Issue Details: First known date: 2017... 2017 Introduction : In Search of the Australian Fantastic
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AbstractHistoryArchive Description

'It is somewhat ironic to start a study that focuses on the literary fantastic, moreover the Aboriginal literary fantastic and its science fictional genre, with the well-known words of the “father” of the Australian realist tradition. Even though these lines shall be evoked at the end of this book for a different reason, suffice it to say that Lawson directed the poem “The Uncultured Rhymer to His Cultured Critics” at his friend, John Le Gay Brereton, who commented negatively on Lawson’s poetics. As the wheel of literary fortune would have it, Lawson’s career foundered soon after 1900 with the impending collapse of cultural nationalism. However, with or without Lawson, realism in Australia was there to stay.' (Introduction)

Notes

  • Epigraph:

    […]

    You grope for Truth in a language dead–

    In the dust ‘neath tower and steeple!

    What know you of the tracks we tread?

    And what know you of our people?

    “I must read this, and that, and the rest,”

    And write as the cult expects me?–

    I’ll read the book that may please me best,

    And write as my heart directs me!

    […]

    — Henry Lawson, “The Uncultured Rhymer to His Cultured Critics” (1897)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Futuristic Worlds in Australian Aboriginal Fiction Iva Polak , Oxford : Peter Lang , 2017 11187111 2017 multi chapter work criticism

    'This is the first study that brings together the theory of the fantastic with the vibrant corpus of Australian Aboriginal fiction on futurities. Selected works by Ellen van Neerven, Sam Watson, Archie Weller, Eric Willmot and Alexis Wright are analysed as fictional prose texts that construct alternative future worlds. They offer a distinctive contribution to the relatively new field of non-mainstream science fiction that has entered the critical domain of late, often under the title of postcolonial science fiction. The structures of these alternative worlds reveal a relationship - sometimes straightforward, sometimes more complex - with the established paradigms of the genre. The novelty of their stories comes from the authors' cultural memory and experience of having survived the «end of the world» brought about by colonisation. Their answers to our futurity contain different novums that debunk the myth of progress in order to raise the issue of a future without a human face.' (Publication summary)

    Oxford : Peter Lang , 2017
    pg. 1-39
Last amended 25 Jan 2018 15:22:41
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