Cirrus@Austlit

'Men get away with murder all the time. Now it's our turn ... A twisty, intriguing crime novel for fans of The Mother and The Family Doctor.

'Naomi started grief counselling prepared to run for cover as soon as her therapist, Mia, pulled out a crystal or tried to align her chakras.

'When Mia suggests that she join a support group, Naomi is sceptical: how could she begin to describe what it felt like to lose her sister, Jo? How could she possibly share her loss and rage to a room full of people? How could she express her helplessness that Jo's killer walks free on a suspended sentence?

'And how could she share her deepest desire to see Jo's killer dead by her hand?

'In the group sessions, Naomi finds that her experiences and her anger are shared between the other members: Gabrielle, Brooke, Katy, Olivia and Amy. Under the enigmatic leadership of Mia, a plan begins to take shape.

'I'll kill yours if you kill mine ...' (Publication summary)

'Peregrine Fisher is unexpectedly summoned to a meeting of the Adventuresses' Club of the Antipodes, where she learns some incredible news.

'When fellow adventuress Florence Astor is accused of murder, Peregrine jumps at the chance to help on the case. Detective James Steed, initially dismissive, quickly finds Peregrine's flair for investigating and headstrong nature leave him little choice.

'A second shocking death occurs and Detective Steed's boss, Inspector Sparrow, demands the case be brought to a close with suspicious speed.

'With Sparrow issuing threats, time is running out for Peregrine. It seems she's set herself an impossible task, but then, as Detective Steed says, 'never underestimate a woman named Fisher'.

'Based on the screenplay by Deb Cox.' (Publication summary)

'Art dealer Alex Clayton travels to Victoria's Western District to value the McMillan family's collection. At their historic sheep station, she finds an important and previously unknown colonial painting - and a family fraught with tension. There are arguments about the future of the property and its place in an ancient and highly significant indigenous landscape.

'When the family patriarch dies under mysterious circumstances and the painting is stolen, Alex decides to leave; then a toddler disappears and Alex's faithful dog Hogarth goes missing. With fears rising for the safety of both child and hound, Alex and her best friend John, who has been drawn into the mystery, join searchers scouring the countryside. But her attempts to unravel the McMillan family secrets have put Alex in danger, and she's not the only one.

'Will the killer claim another victim? Or will the landscape reveal its mysteries to Alex in time?' (Publication summary)

'Art dealer Alex Clayton and conservator John Porter are thrilled to be previewing the Melbourne International Museum of Art's newest exhibition, until they witness a museum worker collapse and badly damage a reportedly cursed painting. Belief in the curse is strengthened when MIMA's senior conservator Meredith Buchanan dies less than twenty-four hours later while repairing the work. But Alex and John are convinced there is a decidedly human element at work in the museum.'

Source: Publisher's blurb.

'In 1999, art dealer Alex Clayton stumbles across a lost portrait of Molly Dean, an artist’s muse brutally slain in Melbourne in 1930. Alex buys the painting and sets out to uncover more details, but finds there are strange inconsistencies: Molly’s mother seemed unconcerned by her daughter’s violent death, the main suspect was never brought to trial despite compelling evidence, and vital records are missing. Alex enlists the help of her close friend, art conservator John Porter, and together they sift through the clues and deceptions that swirl around the last days of Molly Dean.'

Source: Publisher's blurb.