image of person or book cover 9117911664874415639.jpg
Screen cap from promotional trailer
form y separately published work icon Strange Colours single work   film/TV  
Issue Details: First known date: 2017... 2017 Strange Colours
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

According to Screen Australia, 'The film follows a woman who travels to a remote opal mining community to see her estranged, ill father to try and mend their fractured bond.'

Source: Screen Australia (https://www.screenaustralia.gov.au/sa/media-centre/news/2017/07-27-venice-film-festival). (Sighted: 08/08/2017)

Notes

  • Venice’s Biennale College – Cinema, which provided development and production support, is dedicated to the production of micro-budget films

Publication Details of Only Known VersionEarliest 2 Known Versions of

      c
      Australia,
      c
      :
      2017 .
      image of person or book cover 9170640297868928799.jpg
      Screen cap from promotional trailer
      Extent: 85min.p.

Works about this Work

Film Is a Continent Giles Simon Fielke , 2018 single work review
— Appears in: Arena Magazine , December / January no. 157 2018-2019; (p. 53-54)

'From Gothic mythologies and schlock-horror antics to ‘Where the Bloody Hell Are Ya?’ politicos, mismanaged Sunrise protests on Gold Coast beaches and Big Brother, Australian film and TV has only rarely been able to offer up anything other than self-effacing jokes. With this in mind, it is remarkable how deftly Alena Lodkina’s debut feature film, Strange Colours, manages to cut across this massive, permanent identity crisis of a country by bringing together two of its most prevalent motifs: resource exploitation and unrequited love. One reason for this could be that the film was not financed in Australia but in Italy. So if the answer is Australia, what was the question?'  (Introduction)

MIFF 2018: A Melbourne Movement Anthony Frajman , 2018 single work column
— Appears in: FilmInk , 18 September 2018;
Australian Film Strange Colours Evokes the Landscape and Community of Black Opal Capital Lightning Ridge Patrick Carey , 2018 single work column
— Appears in: ABC News [Online] , July 2018;

'For a debut feature film made on a microbudget, Strange Colours is courting an impressive amount of industry buzz.'  (Introduction)

Kate Cheel : Finding Gems in A Strange Land Anthony Frajman , 2018 single work column
— Appears in: FilmInk , 15 June 2018;
Alena Lodkina’s Strange Colours : A Bold New Australian Voice Takes on Lightning Ridge Lauren Carroll Harris , 2018 single work essay
— Appears in: The Guardian Australia , 6 June 2018;

'The Russian-born director captures dreamers, drinkers and drifters in a place where ‘nothing much happens’' 

Strange Colours, Venice Triumphs Greg Dolgopolov , 2017 single work column
— Appears in: FilmInk , 2 September 2017;
Alena Lodkina’s Strange Colours : A Bold New Australian Voice Takes on Lightning Ridge Lauren Carroll Harris , 2018 single work essay
— Appears in: The Guardian Australia , 6 June 2018;

'The Russian-born director captures dreamers, drinkers and drifters in a place where ‘nothing much happens’' 

Kate Cheel : Finding Gems in A Strange Land Anthony Frajman , 2018 single work column
— Appears in: FilmInk , 15 June 2018;
Australian Film Strange Colours Evokes the Landscape and Community of Black Opal Capital Lightning Ridge Patrick Carey , 2018 single work column
— Appears in: ABC News [Online] , July 2018;

'For a debut feature film made on a microbudget, Strange Colours is courting an impressive amount of industry buzz.'  (Introduction)

MIFF 2018: A Melbourne Movement Anthony Frajman , 2018 single work column
— Appears in: FilmInk , 18 September 2018;
Last amended 6 Feb 2020 09:12:42
X