Cirrus@Austlit

'The peripatetic Methodist missionary Annie Lock worked with around a dozen Aboriginal communities across three Australian states and the Northern Territory from the 1900s to the 1930s. A historical biography by Catherine Bishop draws on the travelogue form to describe these places, landscapes and cultures, as well as the benefits and damage connected with cultural exchange. Bishop’s biography is the study of an ordinary individual who has previously had only a cameo role in academic histories.' (Introduction)          

'The study of Australian Indigenous songs in the past two decades has moved beyond linguistic and musicological studies to interdisciplinary collaborations with Indigenous song men and women. This reciprocal engagement between academics and singers within their communities has revealed more of the multi-purpose nature of Indigenous song traditions and customs. Song underscores melodic and rhythmic patterns in music and dance, gives us insight into unique song language and, at the same time, embodies local identity, belonging to place and ownership of stories.'  (Introduction)

'Indigenous film either portrays Indigenous people, issues and stories or is film made by Indigenous Australians. While Indigenous film is a small part, it is a highly significant part of Australia's culture. The portrayal of Indigenous issues and people in film provides a unique insight into Australia's relationship with its Indigenous peoples and heritage. Indigenous film can also be a means of expression for Indigenous experience and Indigenous culture.

'Aboriginal and Torres Strait Islander people, issues and stories have often been stereotyped and marginalised in Australian society. Australia's film history paints a similar picture. However, there are films that portray Indigenous people as self conscious and aware and not as a mysterious or dangerous 'other'. The portrayal of Indigenous issues go hand in hand with real world measures to achieve reconciliation.' (Introduction)