Tempestuous Petticoats : Costume and Desire in The Piano single work   criticism  
Issue Details: First known date: 2000... 2000 Tempestuous Petticoats : Costume and Desire in The Piano
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AbstractHistoryArchive Description

'Stealla Bruzzi writes of the complex sensual and sexual relationship of both costume and body in The Piano. Under Campion's direction, the camera subverts the scopophilic gaze from the male subject creating instead an interrelationship between an active female subject and the feminine sense of touch. Bruzzi evaluates the unconventional portrayal of the female heroine, Ada, as instating a female subjectivity.' (p.xii)

Notes

  • Previously published in Screen 36.3 (Autumn 1995).

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Piano Lessons : Approaches to The Piano Felicity O'Brien (editor), Suzanne Gemmell (editor), Sydney : John Libbey Publishing , 2000 11459161 2000 anthology criticism

    'Jane Campion’s The Piano achieved critical acclaim at the Cannes Film Festival in 1993 and followed up by winning three Academy Awards. Piano Lessons is a provocative collection of essays examining the critically acclaimed film. An assembly of international academics, drawn from film and cultural studies disciplines, offers a unique examination of the film through diverse approaches–auteurist, feminist, psychoanalytic, post-colonial, melodrama and romance.'

    Source: Publisher's blurb.

         Sydney : John Libbey Publishing , 2000     pg. 97-110
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Last amended 11 Jul 2017 15:09:29
97-110 Tempestuous Petticoats : Costume and Desire in The Pianosmall AustLit logo
Subjects:
  • The Piano Jane Campion , 1993 single work film/TV
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