Female Sexuality, Creativity, and Desire in The Piano single work   criticism  
Issue Details: First known date: 2000... 2000 Female Sexuality, Creativity, and Desire in The Piano
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AbstractHistoryArchive Description

'In an informed analysis of the film, Richard Allen provides a comprehensive rationale for the "elective mutism" of Ada McGrath. He introduces the relation of muteness to the Gothic melodrama and explains how Jane Campion subversts and transforms the conventions of melodrama in her subject positioning of Ada.' (p.xii)

Notes

  • Editor's note: An earlier version of this essay was presented at Washington Square Institute for Psychotherapy and Mental Health, New York and published in their in-house journal Issues in Psychoanalytic Psychotherapy, 17:2, 1995.

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Piano Lessons : Approaches to The Piano Felicity O'Brien (editor), Suzanne Gemmell (editor), Sydney : John Libbey Publishing , 2000 11459161 2000 anthology criticism

    'Jane Campion’s The Piano achieved critical acclaim at the Cannes Film Festival in 1993 and followed up by winning three Academy Awards. Piano Lessons is a provocative collection of essays examining the critically acclaimed film. An assembly of international academics, drawn from film and cultural studies disciplines, offers a unique examination of the film through diverse approaches–auteurist, feminist, psychoanalytic, post-colonial, melodrama and romance.'

    Source: Publisher's blurb.

         Sydney : John Libbey Publishing , 2000     pg. 44-63
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Last amended 11 Jul 2017 15:37:06
44-63 Female Sexuality, Creativity, and Desire in The Pianosmall AustLit logo
Subjects:
  • The Piano Jane Campion , 1993 single work film/TV
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