Paul Muldoon Paul Muldoon i(11459075 works by)
Gender: Male
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Works By

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1 Bodies in Motion : The Pandemic, the Economy, and the Dictator Paul Muldoon , 2020 single work essay
— Appears in: Australian Book Review , October no. 425 2020; (p. 7-9)
'‘Healthy People Gather for Your Freedom.’ So read the sign held proudly aloft by a young woman at a protest against coronavirus restrictions on ‘Freedom Day’ in Melbourne. Drawn to the Shrine in a symbolic gesture of solidarity with those other ‘diggers’ who defended Australia against the threat of authoritarianism, she was part of a small crowd with a big message: ‘Freedom is under threat’. A bit like coronavirus itself, perhaps, ‘Freedom Day’ was an accident waiting to happen – not least of all in Victoria. No democratic government can expect to curtail freedoms without stirring up the civil libertarians (both the sane and the crazy), and the restrictions devised and enforced by the Andrews government have been more severe than most. If one is to believe former prime minister Tony Abbott, the premier of Victoria now heads up a ‘health dictatorship’ that holds five million Melburnians under ‘house arrest’. Daniel Andrews, though in truth a champion of social justice, has of late acquired the disagreeable moniker of ‘Dictator Dan’ for putting a plague city into lockdown.' (Introduction)
1 After Apology : the Remains of the Past Paul Muldoon , 2017 single work criticism
— Appears in: Australian Humanities Review , May no. 61 2017;

'In an extraordinarily prescient lecture, addressed to the nation responsible for the first ‘crime against humanity’, Theodor Adorno attested to the paradox of a past that lives on, but cannot be lived with: ‘one wants to get free of the past, rightly so, since one cannot live in its shadow, and since there is no end to terror if guilt and violence are only repaid, again and again, with guilt and violence. But wrongly so, since the past one wishes to evade is still so intensely alive’ (Adorno 115). Although ‘the past’ to which Adorno refers remains the exceptional instance of state crime, his observations strike at the heart of a dilemma that many political communities continue to grapple with today: how does one get free of a past that refuses to pass? Though an increasingly popular theme of intellectual inquiry, a burgeoning topic within the ever expanding and ever more sophisticated field of ‘memory studies’, the question could scarcely be dismissed as being of merelyacademic interest. Assuming John Torpey is even half right in suggesting that concern for the future has now been eclipsed by a ‘preoccupation with past crimes and atrocities’, the ‘righting old wrongs’ project is of more than marginal concern for states right around the world (Torpey 1). Indeed, if the problem of ‘coming to terms with the past’ was ever exclusively German, it is now a truly universal political concern.' (Introduction)

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