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AbstractHistoryArchive Description
Examines how Jane Campion's films 'all subvert the conservative conclusions of the postfeminist rape narrative by mixing mainstream and art cinema aesthetics' (p.100).
Publication Details of Only Known VersionEarliest 2 Known Versions of
Last amended 11 Jul 2017 10:57:14
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Jane Campion's Women's Films : Art Cinema and the Postfeminist Rape Narrative
Subjects:
- The Portrait of a Lady 1994 single work film/TV
- The Piano 1993 single work film/TV
- In the Cut 2003 single work film/TV
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