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y separately published work icon Jane Campion : Cinema, Nation, Identity anthology   criticism  
Issue Details: First known date: 2009... 2009 Jane Campion : Cinema, Nation, Identity
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Notes

  • Divided into four parts:

    1. Subjectivities and the Construction of Identity in Jane Campion's Films (pp.3-76)

    2. Jane Campion and Her Sources (pp.77-156)

    3. Jane Campion's 'Geographies' (pp.157-206)

    4. Viewers Respond to Jane Campion (pp.207-304)

  • Contents indexed selectively. The volume also contains criticism relating to Campion's New Zealand films, including the Janet Frame adaptations.

Contents

* Contents derived from the Detroit, Michigan,
c
United States of America (USA),
c
Americas,:Wayne State University Press , 2009 version. Please note that other versions/publications may contain different contents. See the Publication Details.
'In Extremis' : Jane Campion and the Woman's Film, Hilary Radner , single work criticism (p. 3-26)
Campion-Keitel Connections, a.k.a. 'We Are the Piano', Chris Holmlund , single work criticism (p. 55-76)
Portraits of a Woman : Jane Campion and Henry James, Irène Bessière , single work criticism (p. 125-138)
Jane Campion and the International Theme : From The Portrait of a Lady to An Angel at My Table, Jean Bessiere , single work criticism (p. 157-174)
'Comme une invitation au voyage' : French Reception of Jane Campion, An Angel at My Table, and the Piano, Simon Sigley , single work criticism (p. 207-232)
'The Piano Is Mine. It's Mine.' My (Free Association with) Jane Campion, or, the Child in the Spectator, Sue Gillett , single work criticism (p. 233-250)
One Viewing Jane Campion as an Antipodean, Annabel Cooper , single work criticism (p. 279-304)
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Last amended 11 Jul 2017 10:02:14
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