'W ith the release of ‘Formation’ and Beyonce’s performance at this year’s Super Bowl, the Black Lives Matter (BLM) campaign pierced living rooms across the United States. Complete with Black Panther salute and iconography, accompanied by a film clip with a hurricane-drenched landscape and graffiti reading ‘stop shooting us’, a movement that had been demonised by the mainstream media and the right was given a heroic performance in what is, arguably, capitalism’s ultimate spectacle.' (Jacinda Woodhead : Editorial introduction)
2016 pg. 41