'Welcome to the “trans” issue as it is cryptically called (meaning across and beyond in Latin). The aim of this issue is transnational as much as transcultural: to explore relations between Indigenous contemporary artists across the world. So focused are we on the Australian context for Indigenous art that when it comes to aligning ourselves with international art, in both historic and contemporary contexts, we too often deprive ourselves of that defining peer‑to‑peer agency that permits new perspectives. When we step outside of this internal viewpoint to project ourselves internationally, as in the occasion of the representation of two high‑profile Indigenous artists in the national pavilions of Australia and Aotearoa New Zealand for the 57th Venice Biennale, this rite of passage clearly becomes apparent. It is one well‑served by Tracey Moffatt and Lisa Reihana, whose elegant visual narratives demonstrate a form of this trans‑aesthetic, appropriate to taking on Europe and the world.' (Editorial introduction)
2017 pg. 76-81