'The first poem by Peter Boyle I ever read happens to be a useful precursor to the work he does in Ghostspeaking. The poem is ‘Nine ways of writing an American Poem’, which appeared in the book What the Painter Saw in our Faces (2001). In this poem, Boyle mimics different trends in American poetics, ranging from radical plainness (as in, ‘If you put/ your hand/ in fire/ it hurts’) to experimental poetics (‘Open paratwang/ of helio-/ trope in/ door-/ way/ en-/TRANCE). The nine variations of this poem inhabit a wide array of voices and modes, and show a metamorphic voice at work. Within these variations, Boyle gives a broad performance of different poetic gestures and postures. Since reading that poem, I have become acquainted with Boyle himself, while students studying at the same institution.' (Introduction)