'Hannie Rayson’s well-loved Hotel Sorrento, which premiered onstage in 1991 and was made into a feature film in 1995, explored some immediately identifiable terrain for many audiences when it first appeared. It tapped the theme of Australian ‘cultural cringe’, the contested ownership of cultural and personal stories and conflict over entitlement and betrayal. These concerns were framed in the rocky relationships between three Australian sisters, all of who, at the play’s opening, have made widely different paths for themselves in the world.' (Introduction)