'In 2015, Beth Driscoll raised the ire of three women writers by labelling them ‘middlebrow’. Her article ‘Could Not Put It Down’ for Sydney Review of Books caused Antonia Hayes, Susan Johnson and Stephanie Bishop to respond in writing and collectively (and then separately) reject the term, arguing for their right to be evaluated outside the confines of Driscoll’s parameters, defined in the following way:
We can recognise the middlebrow by a set of features. It is associated with women and the middle class. It is reverent towards legitimate culture and thus concerned with quality – the middlebrow shies away from the trashy – at the same time as it is enmeshed in commerce and explicitly mediated. The middlebrow is concerned with the domestic and recreational rather than the academic or professional, it is emotional, and it has a quality of ethical seriousness. These features can combine to make a book vibrantly social, a catalyst for passionate conversations between readers. (Driscoll 2015)
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