image of person or book cover 6675067334231624252.jpg
This image has been sourced from online.
y separately published work icon Shellships selected work   poetry  
Issue Details: First known date: 2014... 2014 Shellships
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Art and Poems: the first half of Shellships is visual art, the second half is written poems.

not just beach-rollers, Shellships can fly

'The first watercolours made after a long rape trial, these husks are transformers, blazers,

'shooters, lovers, dark-dreamers – not dead yet (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Armadale, South Yarra - Glen Iris area, Melbourne - Inner South, Melbourne, Victoria,: Ashlley Morgan-Shae , 2014 .
      image of person or book cover 6675067334231624252.jpg
      This image has been sourced from online.
      Extent: 99 [9 unnumbered pages]p.
      Description: illus.
      ISBN: 9780987608109
VIEW PUBLICATION DETAILS FOR ALL VERSIONS ()

Works about this Work

Emerging from Our Shells Alan Gould , 2017 single work essay
— Appears in: Quadrant , March vol. 61 no. 3 2017; (p. 90-92) 'With one small qualification I’ll come to, I enjoyed this book. It comprises twenty-five pages of illustration followed by twenty-six poems, and the integration of the two art forms is most skilfully done. Indeed, if artfulness were not in its present epoch of beggary, then the exquisite watercolour illuminations of shells and marine mortuary here, together with these shapely poems, might merit being placed within a finessed sample of bookcraft, hardcover, saddle-stitched, marbled endpapers and tasselled bookmark such as that quiet craftsman Alec Bolton used to create on his Brindabella Press. But the paperback we have from RMIT University Link yields a volume workaday and effective enough. In the first half of the book it displays nautilus, cone shell, seahorse, conch, each with an arresting singularity on a creamy page, while the poems that commence halfway through disclose Morgan-Shae’s commitment to the wrought-ness of verbal art, shapeliness as a presence-in-words for ear, eye and intellect.' (Introduction)
Emerging from Our Shells Alan Gould , 2017 single work essay
— Appears in: Quadrant , March vol. 61 no. 3 2017; (p. 90-92) 'With one small qualification I’ll come to, I enjoyed this book. It comprises twenty-five pages of illustration followed by twenty-six poems, and the integration of the two art forms is most skilfully done. Indeed, if artfulness were not in its present epoch of beggary, then the exquisite watercolour illuminations of shells and marine mortuary here, together with these shapely poems, might merit being placed within a finessed sample of bookcraft, hardcover, saddle-stitched, marbled endpapers and tasselled bookmark such as that quiet craftsman Alec Bolton used to create on his Brindabella Press. But the paperback we have from RMIT University Link yields a volume workaday and effective enough. In the first half of the book it displays nautilus, cone shell, seahorse, conch, each with an arresting singularity on a creamy page, while the poems that commence halfway through disclose Morgan-Shae’s commitment to the wrought-ness of verbal art, shapeliness as a presence-in-words for ear, eye and intellect.' (Introduction)
VIEW ALL WORKS ABOUT (1)
Last amended 7 Apr 2017 09:35:30
Newspapers:
    Powered by Trove
    X