'The greatest thing, writes Aristotle in the Poetics, is the command of metaphor, an eye for resemblances. The first overt metaphor in Tanya Thaweeskulchai’s A Salivating Monstrous Plant appears in its second sentence: ‘These noises conglomerate, building like a nest of waking vipers’. The noises resemble vipers, then, and the resemblance suggests a host of associations: hissing and slithering; the menace of venomous fangs; not discrete wholes but a mass of moving heads and tails and lengths of body. Real noises are given in terms of the imaginary, so that the sounds of what might well be an Australian garden – ‘crackling leaves, dust and dried mud’ – call to mind the hiss of snakes found in Africa, Eurasia, and the Americas, but not in Australia. Metaphor brings worlds together.' (Introduction)