'A small card dangles from sticky tape on her front door, on which her name is scrawled in swift cursive: Eva Cox. Inside the house, tacked to one of the bookshelves that line the narrow hallway, is a fabric poster. In bright red lettering it reads: FEMMO – STIRRING THE PENIS POT. Bustling around her cluttered kitchen, Eva jams the bunch of lavender I’ve brought into a glass jug. “I love lavender,” she says, and I agree. She fetches napkins and a knife for the cake. She chats and smiles. Other people have written about the affection they’ve felt for Eva when they interview her, but the suddenness of it is unexpected.' (Introduction)