y separately published work icon The Saturday Paper newspaper issue  
Issue Details: First known date: 2017... 25 February 2017 of The Saturday Paper est. 2014 The Saturday Paper
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Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Yassmin Abdel-Magied and the Australian Crucible, Susan Carland , single work column
[Review Essay] The Landing, KN , single work essay review
'Paul Croucher is the owner of Red Wheelbarrow Books in Melbourne’s Brunswick. The store’s name – recalling William Carlos Williams’ famous poem – suggests much about the provenance of his poetry. Croucher’s The Landing exhibits an imagist (and orientalist) aesthetic of uncluttered lines, a faith in observation and everyday language, and a commitment to the local, whether the poet is roaming around the world or at home.' (Introduction)
[Review Essay] The Restorer, LS , single work essay review
'The beginning of Michael Sala’s The Restorer is somewhat of a slow burn. It’s 1989 and a family – father Roy, mother Maryanne, teenage daughter Freya, and eight-year-old Daniel – move in to a rundown house in Newcastle, New South Wales, to renovate and start afresh. It’s clear, though, that something’s not quite right. The next-door neighbour’s offer of help is rudely rebuffed by Roy, the kids are guarded and Maryanne is strangely distant. We know already that things will go badly wrong.' (Introduction)
[Review Essay] The Name on the Door Is Not Mine, single work
'Karl Stead is in his 80s now and for as long as anyone can remember he has been New Zealand’s leading literary critic. It was in the 1960s that he wrote The New Poetic, a book that shed light on T. S. Eliot by suggesting that The Waste Land was a poetry of breakdown and Four Quartets was a very uneven work not simply amenable to recuperation by the suggestion that it was deliberately so. ' (Introduction)

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Last amended 27 Feb 2017 08:35:19
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