'A recent article in The Guardian profiled contemporary British artist Tracey Emin reassembling her most famous and award-winning work “My Bed” (1998) for an upcoming exhibition at the Tate Liverpool. The journalist observes her installation of the twenty-year old component parts and comments that Emin appears to be slightly squeamish about some of the ziplock-bagged items; the condoms, used tissues, the ’90s cigarette butts.' (Introduction)