Cirrus@Austlit

'Through a series of visual and textual explorations, Andrew Lansdown’s Kyoto Sakura Tanka creates a striking depiction of the bicameral, separating his collection into kami no ku (the poet sees) and ashimo no ku (the poet wonders). The fundamental basis of Lansdown’s series is rooted in the Japanese tanka, or traditional waka: a five-line piece of poetry divided into mortas, or syllable counts, of 5/7/5/7/7. Yet, in this series, Lansdown once again takes up the themes of nature, transience and master Bashō’s doctrine of fueki ryūkō – ‘permanence and change’ – only to position himself against his chosen poetic tradition. (Introduction)