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Image courtesy of publisher's website.
y separately published work icon The Asylum Poems selected work   poetry  
Issue Details: First known date: 2016... 2016 The Asylum Poems
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AbstractHistoryArchive Description

'‘Any door will do when your life is in danger.’ With unflinching focus, these poems—written mostly in fourteen lines—depict the plight of those seeking asylum in Australia.' (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Kambah, Tuggeranong area, Canberra, Australian Capital Territory,: Recent Work Press , 2016 .
      image of person or book cover 535373825123306055.png
      Image courtesy of publisher's website.
      Extent: 1vp.
      ISBN: 9781740884471
      Series: y separately published work icon IPSI Chapbooks Kambah : Recent Work Press , 2016- 10757701 2016 series - publisher poetry Number in series: 4

Works about this Work

Review Short : Lisa Jacobson’s The Asylum Poems and Judy Johnson’s Counsel for the Defence Joan Fleming , 2017 single work review essay
— Appears in: Cordite Poetry Review , 1 February no. 57 2017;
'Lisa Jacobson is a Melbourne poet and social worker. In the chapbook The Asylum Poems, she attempts to empathetically inhabit the experiences of an Iraqi family fleeing persecution. Her images are often beautiful, like ‘uncle-blood falling in rays’ and ‘families scatter like music’. The prettiness of the language is a curious choice, though, given the raw horror of the subject matter. Closely observed grotesque details, like the father yelling ‘Towels! ’ as he carries his bleeding brother over the threshold of their Iraqi home, are among the sequence’s most satisfying moments.' (Introduction)
Review Short : Lisa Jacobson’s The Asylum Poems and Judy Johnson’s Counsel for the Defence Joan Fleming , 2017 single work review essay
— Appears in: Cordite Poetry Review , 1 February no. 57 2017;
'Lisa Jacobson is a Melbourne poet and social worker. In the chapbook The Asylum Poems, she attempts to empathetically inhabit the experiences of an Iraqi family fleeing persecution. Her images are often beautiful, like ‘uncle-blood falling in rays’ and ‘families scatter like music’. The prettiness of the language is a curious choice, though, given the raw horror of the subject matter. Closely observed grotesque details, like the father yelling ‘Towels! ’ as he carries his bleeding brother over the threshold of their Iraqi home, are among the sequence’s most satisfying moments.' (Introduction)
Last amended 25 Aug 2017 07:06:15
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