y separately published work icon Kill Your Darlings periodical issue  
Issue Details: First known date: 2017... no. 28 January 2017 of Kill Your Darlings est. 2010 Kill Your Darlings
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AbstractHistoryArchive Description

'We have gone to print a few days after the US election, and the aftershocks of this most troubling result are still resounding. Much is still to be written about this world-changing event, but in the meantime here at KYD we recognise the important role the arts now has to play in interpreting these events, creating pathways to change, and enabling regeneration.' (Editorial introduction)

Notes

  • Only literary material by Australian authors or about Australian literature individually indexed.

Contents

* Contents derived from the 2017 version. Please note that other versions/publications may contain different contents. See the Publication Details.
Silence and Stillness, Roz Bellamy , single work criticism
'Sometimes the most ideal writing conditions still don't produce work. How do different types of creative distraction manifest, and how can they be overcome?' (Introduction)
 (p. 43-54)
The Centre from the Edge, Jerath Head , single work prose travel
'When we travel, how often is it in search of a validation of our existence? Can we live a full life without the desire for it to be endless?' (57)
 (p. 57-71)
Not a Ghost Story, Lauren Carroll Harris , single work autobiography
'How do we reconcile experiences that sit outside the usual parameters with which we understand the world?' (75)
 (p. 75-85)
The Walk, Alice Melike Ulgezer , single work autobiography
Is justice a precursor to healing, or can a connection to the land be used to overcome trauma? ''
 (p. 87-98)
Pulse Points, Jennifer Down , single work short story

'Ramesh had known Gerry for years - eight in fact, as long as he and Henry had been together - but this was, in a way, like meeting him all over again.' (Introduction)

 (p. 101-118)
Figuring Themselves Out, Jane Howard , single work criticism
'Why, in 2017, is there still such an absence of queer female narratives on the stage?' (139)
 (p. 139-145)
Read Me a Story, Susan Hurley , single work criticism
'Audiobooks enable adults to experience the pleasure of hearing a story aloud, but are they fundamentally inferior to their print counterparts?' (153)
 (p. 153-160)
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Publication Details of Only Known VersionEarliest 2 Known Versions of

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Last amended 21 Feb 2017 11:40:07
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