Issue Details: First known date: 2016... 2016 Milton’s Samson Agonistes : A Political Reading
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'Samson Agonistes is the only play that Milton wrote. At the beginning of his career he wrote two masques, Arcades and A Masque presented at Ludlow Castle, 1634 [Comus], but nothing else for the stage. Indeed he makes a point of telling us in the opening note, “Of that sort of dramatic poem called tragedy”, that Samson Agonistes “never was intended” for the stage.1 During the years of the English Revolution, 1640-1659, the theatres had all been closed by official order. Milton, as the foremost propaganda writer for the revolutionary government, might be expected to have agreed with its hostility to the public theatre, something seen as a corrupt institution, identified with royalists, prostitutes and such like. So it is not surprising that Samson Agonistes “never was intended” for the stage; nor is it surprising that the model Milton followed was not that of English Shakespearean theatre, but the archaic model of classical Greece.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon The Free Mind : Essays and Poems in Honour of Barry Spurr Catherine Runcie (editor), Revesby : Edwin H. Lowe Publishing , 2016 10728339 2016 anthology poetry essay

    'For over forty years, Barry Spurr has created a significant body of work in English literary scholarship, spanning a wide range of fields from Early Modern literature to contemporary Australian poetry. Barry Spurr is acknowledged as a leading scholar in the fields of religious literature and liturgical language, most notably in the works of Renaissance poet John Donne, the Modernist poet T.S. Eliot, and the language and literature of the Anglo-Catholic tradition. He was appointed by the University of Sydney as Australia's first Professor of Poetry and Poetics, and holds a notable reputation as a teacher and mentor to students, and as a friend to peers and colleagues. He has also been notable as a public intellectual, with a particular interest in the role of literature in the modern education system, and the role of the humanities in the modern university.

    'This book is a collection of scholarly papers, contemplative essays and poems, written or contributed in honour of Barry Spurr. The Festschrift's contributors include his former teachers and mentors, his students and colleagues, and includes scholars and public intellectuals in his fields of scholarship or public interest. This Festschrift is a very fine collection of poetry, public discourse and literary criticism, on topics ranging from the works of William Shakespeare, to John Milton, T.S. Eliot, Charles Dickens, and Wilfred Owen, in addition to scholarship on liturgical language and religious and literary philosophy.' (Publication summary)

    Revesby : Edwin H. Lowe Publishing , 2016
Last amended 14 Feb 2017 13:02:15
Milton’s Samson Agonistes : A Political Readingsmall AustLit logo
Newspapers:
    Powered by Trove
    X