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A hypnotic, enigmatic piece of cinema revolving around dance and Aboriginality, Spear epitomises what it means to be an independent arthouse Australian film. But its journey to audiences has not been straightforward – so far, it has found itself restricted to consumption contexts characterised as highbrow or niche. Lauren Carroll Harris asks: how can event-style exhibition better entice viewers and enliven cinema-going for titles such as this?
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Last amended 9 Feb 2017 15:22:54
