Ruzy Suliza Hashim (International) assertion Ruzy Suliza Hashim i(10692645 works by)
Gender: Female
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1 Grafting Eco-disaporic Identity in Randa Abdel-Fattah's Selected Novels Areej Saad Almutairi , Ruzy Suliza Hashim , M. M. Raihanah , 2017 single work criticism
— Appears in: GEMA Online , vol. 17 no. 4 2017; (p. 179-190)

'This paper is based on three selected novels entitled Does My Head Look Big In This? (2005), Ten Things I Hate About Me (2006), and Where The Streets Had A Name (2008) written by Randa Abdel-Fattah (1979), a Palestinian-Egyptian Australian Muslim diasporic writer. In this article, we examine the manifestations of grafting eco-diasporic identity by Abdel-Fattah in order to address how identity graft is operated by interacting with ideology, culture and nature in the contexts of the host land and the homeland as represented in the three selected novels. Using Colin Richards’ theory of graft as a framework, we explore identity contestations of Muslim young adults in the novels from an ecocritical and diasporic perspectives. In the novel Does My Head Look Big In This?, the images of Amal’s sense of being marginalised in the semiosphere of the host land and the sense of self-respect of her Muslim rootedness and heritage of the homeland semiosphere frame the fractured graft of identity. The character of Jamilah, in Ten Things I Hate About Me displays genuine manifestations of the collective emblem of the grafted identity. Finally, the symbol of the iconic jar of the homeland soil and its potentiality of regenerating Hayaat’s identity in Where the Streets Had A Name exhibits the ecological semiosphere in which the grafted identity is shaped. The current discussion, therefore, offers fresh insights into allowing a new horizon for identity grafting in Abdel-Fattah’s works as well as other writers within the tradition of Muslim Diasporic Literature.'

Source: Abstract.
1 A Handful of Soil : An Ecocritical Reading of Land in Randa Abdel-Fattah’s Where the Streets Had a Name M. M. Raihanah , Ahmed Yahaya Hamoud , Ruzy Suliza Hashim , 2014 single work criticism
— Appears in: Asiatic , December vol. 8 no. 2 2014; (p. 137-148) 'This article explores how Randa Abdel-Fattah (1979-), a Palestinian-Egyptian Australian diasporic writer, engages with the land as being ecocritically functional in her Palestinian-centred novel Where the Streets Had a Name (2008). The premise of the article is that a fictional representation of the Palestinian struggle for emancipation against occupation can be read for its environmental concerns; in particular, for the representation of the intersections of nature and culture. To this end, the article proposes a tripartite approach in reading politics of environment in the narrative by focusing on the effects of land on mind, body and voice. The analysis is carried out through the lens of ecocriticism and it reveals the symbiotic interconnections between humans and land. The findings reveal that the crisis experienced by the Palestinians in Abdel-Fattah‟s fiction goes beyond the need to preserve their past as the land has strong implications on their present state of mind, body and voice.' (Publication abstract)
1 Minority Within : 2nd Generation Young Adult Muslim Australian in Ten Things I Hate about Me Raihanah Mohd Mydin , Norzalimah Mohd , Ruzy Suliza Hashim , 2013 single work criticism
— Appears in: 3L : Language, Linguistics, Literature , vol. 19 no. 3 2013; (p. 61-70)

'It is undeniable that in the era of globalisation, the young adults’ world is becoming ever fluid and expandable. For the young adult of minority descent, the challenges are made more complex given the contestation with the majority culture of the land. This paper investigates the contestation of marginalization by a Muslim young adult in multi-ethnic, multi-cultural Australia as portrayed in Randa Abdel-Fattah’s second novel entitled Ten Things I Hate About Me. The paper discusses two fundamental identity spaces within the discourse of multiculturalism – private and public, and examines how the social, cultural and religious spaces inhabited by the young adult minority protagonist influence her in the formation of her identity as a member of a minority community in a predominantly white majority society. Pitted as the ‘minority within’ for the marginalization that the protagonist feels within her immediate family circle, the experience of the young adult minority, as this paper suggests, is ever complex and uncertain.' (Publication abstract)
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