M. M. Raihanah (International) assertion M. M. Raihanah i(10692629 works by)
Gender: Female
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

Works By

Preview all
1 Grafting Eco-disaporic Identity in Randa Abdel-Fattah's Selected Novels Areej Saad Almutairi , Ruzy Suliza Hashim , M. M. Raihanah , 2017 single work criticism
— Appears in: GEMA Online , vol. 17 no. 4 2017; (p. 179-190)

'This paper is based on three selected novels entitled Does My Head Look Big In This? (2005), Ten Things I Hate About Me (2006), and Where The Streets Had A Name (2008) written by Randa Abdel-Fattah (1979), a Palestinian-Egyptian Australian Muslim diasporic writer. In this article, we examine the manifestations of grafting eco-diasporic identity by Abdel-Fattah in order to address how identity graft is operated by interacting with ideology, culture and nature in the contexts of the host land and the homeland as represented in the three selected novels. Using Colin Richards’ theory of graft as a framework, we explore identity contestations of Muslim young adults in the novels from an ecocritical and diasporic perspectives. In the novel Does My Head Look Big In This?, the images of Amal’s sense of being marginalised in the semiosphere of the host land and the sense of self-respect of her Muslim rootedness and heritage of the homeland semiosphere frame the fractured graft of identity. The character of Jamilah, in Ten Things I Hate About Me displays genuine manifestations of the collective emblem of the grafted identity. Finally, the symbol of the iconic jar of the homeland soil and its potentiality of regenerating Hayaat’s identity in Where the Streets Had A Name exhibits the ecological semiosphere in which the grafted identity is shaped. The current discussion, therefore, offers fresh insights into allowing a new horizon for identity grafting in Abdel-Fattah’s works as well as other writers within the tradition of Muslim Diasporic Literature.'

Source: Abstract.

1 A Handful of Soil : An Ecocritical Reading of Land in Randa Abdel-Fattah’s Where the Streets Had a Name M. M. Raihanah , Ahmed Yahaya Hamoud , Ruzy Suliza Hashim , 2014 single work criticism
— Appears in: Asiatic , December vol. 8 no. 2 2014; (p. 137-148)
'This article explores how Randa Abdel-Fattah (1979-), a Palestinian-Egyptian Australian diasporic writer, engages with the land as being ecocritically functional in her Palestinian-centred novel Where the Streets Had a Name (2008). The premise of the article is that a fictional representation of the Palestinian struggle for emancipation against occupation can be read for its environmental concerns; in particular, for the representation of the intersections of nature and culture. To this end, the article proposes a tripartite approach in reading politics of environment in the narrative by focusing on the effects of land on mind, body and voice. The analysis is carried out through the lens of ecocriticism and it reveals the symbiotic interconnections between humans and land. The findings reveal that the crisis experienced by the Palestinians in Abdel-Fattah‟s fiction goes beyond the need to preserve their past as the land has strong implications on their present state of mind, body and voice.' (Publication abstract)
X