Issue Details: First known date: 2016... 2016 “All You Need Is... ” : A Review of Tina Giannoukos’s Bull Days
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AbstractHistoryArchive Description

'The modern sonnet is a precarious poetic form. It is best recognised by its number of lines— twelve to fourteen—and its sense of being written “to” a person, animal, natural place, or even an abstract idea. It may or may not be conversational. It may or may not rhyme. It might be an argument, a dedication, or even an individual’s expression of intimacy. It either has its Petrachan-style volta pulled up around its midsection, or, more likely, offers a Shakespearean volta—its last couplet comprising a sting in its tail. Upon reading a modern sonnet, you might have to read it back over to check it is not merely a short poem, and then wonder how exactly you were able to tell the difference.' (Introduction)

Publication Details of Only Known VersionEarliest 2 Known Versions of

  • Appears in:
    y separately published work icon Philament Precarity no. 22 December 2016 10648450 2016 periodical issue

    'This issue of Philament, our twenty-second, embraces a range of poets, as well as writers, essayists, and reviewers. Adam Hulbert’s study of Joan Lindsay’s Picnic at Hanging Rock draws attention to the many sonic figurations in Lindsay’s novel, offering a fresh reading of the precarious fates of the protagonists in this “preeminent antipodean weird tale.” Blythe Worthy’s study of Rachel Kushner’s 2013 novel The Flamethrowers offers a timely problematisation of contemporary identity politics, illuminating new ways in which the novel “exposes feminism’s distinctive markings of precarity.” And Aleksandr Andreas Wansbrough’s essay on Lars von Trier’s Melancholia allows us to see the film’s prologue as an example of avant-garde video art. Critics will have already perceived the way in which Melancholia allegorises Earth’s cosmic precarity, revealing this planet’s vulnerability in a universe filled with other celestial bodies, all of them potential collision threats. However, Wansbrough’s essay also shows us how von Trier’s film makes genre and aesthetic categories equally precarious—elements ever threatening to collide. The issue’s short stories—Angelina Koseva’s “The Red Room” and Sian Pain’s “Wildcat”—offer intensive glimpses at precarious milieux in the contemporary cityscape, while varied works of poetry, by Philip Porter, Mona Zahra Attamimi, and Dimitra Harvey, chart their slightly more abstract courses toward this issue’s theme. As always, it is hoped that this issue encourages more scholarship on its theme, and prompts postgraduates in particular to submit to Philament’s future issues.' (From : Facing Precarity)

    2016
    pg. 141-149
Last amended 20 Jan 2017 08:23:55
141-149 “All You Need Is... ” : A Review of Tina Giannoukos’s Bull Dayssmall AustLit logo Philament
Subjects:
  • Bull Days Tina Giannoukos , 2016 selected work poetry
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