'Max Cullen is familiar to audiences for his warm, crumpled face and for his ability to inhabit so many characters. Over the last fifty years Cullen has appeared in numerous productions on the main stages of Sydney and Melbourne, on television in a wide range of roles, and in many Australian feature films. He worked at the Ensemble in the early years, with Hayes Gordon, and with the
Nimrod Theatre Company when it was established. Cullen’s work on television and film ranges across a wide range of genres and modes, from {{Skippy}} (1967) (C718078) to
Bodyline(1984) to
Sunday Too Far Away! (1975) and on stage, from
Hamlet (1981) and
Volpone (2002) to
Waiting for Godot (2003).' (Introduction)