Issue Details: First known date: 2016... 2016 Land, Labour and Food : Art and the Recovery of Ecological Livelihoods
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AbstractHistoryArchive Description

'In his book The perception of the environment (2011), anthropologist Tim Ingold critiques a paradigmatic opposition that has long underpinned modern understandings of western civilisation: the opposition of practices of food production (agriculture) to practices of food collection (hunting and gathering). He points out that underlying this opposition ‘is a master narrative about how human beings, through their mental and bodily labour, have progressively raised themselves above the purely natural level of existence to which all other animals are confined, and so doing have built themselves a history of civilisation' (Ingold 2000: 78). While we now recognise the racist logic of modern evolutionist thought, the systematic domination of land and animals remains central to western schema of modernisation. Consequently, we tend not to see the practices of peoples who survived according to a land-based ethic of interdependency and stewardship as equally constitutive of human history. The central injunction of Ingold’s book, one informed by anthropological analyses of many kinds of societies and that applies to both sides of this opposition, is that we properly recognise the ecological character of human ontology. Notwithstanding our cognitive capacity to objectify and set ourselves apart from our world, our subjectivity is formed through our interrelatedness with the human, non-human and material components of our environment. This means that rather than viewing human history as a process by which we have asserted our reason and will upon nature and the other materials of the earth, Ingold urges us to see history as ‘the process wherein both people and their environments are continually bringing each other into being’ (2000: 87).' (Introduction)

Notes

  • Epigraph: ‘Our actions do not transform the world, they are part and parcel of the world's transforming itself’ – Tim Ingold

    ‘We are nature defending itself’ – Climate Games activist group slogan

Publication Details of Only Known VersionEarliest 2 Known Versions of

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    y separately published work icon Axon : Creative Explorations Creative Work vol. 6 no. 2 November 2016 10626152 2016 periodical issue

    'The academic critique of the conditions of creative work has always been slightly disingenuous. In the name of a ‘workerist’ critique – one which highlights the poor returns to artists according to normative models of labour market analysis – the study of creative labour has de-emphasised the fact that the modern notion of ‘work’ is itself placed in question by artists. But the artistic critique of work, as Luc Boltanski an Eve Chiapello usefully describe it, has been central to the vocation of the artist since at least Industrial Modernity. Despite the rise of a commercial cultural economy in the twentieth century, it is hard to imagine an arts sector without the prolific moral economies which, although enabling of appropriation and exploitation due to the weak formalisation of exchange, sustain alternative models of value that contest the commodification of creative activity. Indeed, it is this critique that has in recent decades placed the artist at the avant-garde of discussions of changes to work in general.' (Introduction)

    2016
Last amended 16 Jan 2017 11:19:55
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