Cirrus@Austlit

'In Seven Poor Men of Sydney (1934), Christina Stead evokes the city’s history in her naming of the Tank Stream Press, the novel’s central location. The fresh water Tank Stream assured the colony’s survival in its fledgling years; however, it soon became an open sewer and was buried as a stormwater drain in order to maintain public health. This essay argues that Stead uses the Tank Stream’s watery history to shape a narrative about cultural life and urban modernity in early twentieth-century Sydney. The functioning of the business is informed by the stream’s various identities of essential water supply, sewer and drain: at times, it seems as if culture and learning may usher in an intellectual and internationalist utopia in the city, liberating the minds and bodies of those who inhabit it; at others, all such hope is lost. The narrative Stead develops around the printery and its employees brings local place into contact with transnational socialist and other intellectual discourses, and links both to culture as a material, interactive force within the urban milieu. Through a close reading of the Tank Stream Press, this essay explores the novel’s conflicted vision of culture, politics and urbanity in modern Sydney.'

Source: Abstract.