Issue Details: First known date: 2016... 2016 Altjeringa and Didgeridoo : Australian Identity Devices on Polyphonic Spatiality of The Adventures of Priscilla, Queen of the Desert, Stephan Elliott
The material on this page is available to AustLit subscribers. If you are a subscriber or are from a subscribing organisation, please log in to gain full access. To explore options for subscribing to this unique teaching, research, and publishing resource for Australian culture and storytelling, please contact us or find out more.

AbstractHistoryArchive Description

'The Adventures of Priscilla, Queen of the Desert (1994) is an Australian film directed by Stephan Elliott. It expresses socio- and aesthetically a perspective of devices that produce contemporary subjectivities in Australia. In this article, some aspects of the production of such subjectivities shall be discussed in terms of possible cross mobilities, present in relations strained by spatiality - in their lieux and non-lieux, lieux lisse and lieux strié (AUGÉ, 1992; 1997; 2006; Deleuze, 1997) - traveled by the trio of protagonists who, in the trip from Sydney to Alice Springs, meet an Aboriginal community in the heart of the Outback. Among Altjeringa and the didgeridoo, we will follow this meeting between homoaffective and ancestral identities, which, on a certain semantic level of this film, indicates contexts of political and cultural negotiations in the historical and imaginative nation building process (Anderson, 2006), carried out by the stratified Australian society.' (Publication abstract)

Publication Details of Only Known VersionEarliest 2 Known Versions of

Last amended 5 Dec 2016 13:14:17
https://periodicos.ufsc.br/index.php/desterro/article/view/2175-8026.2016v69n2p127/31865 Altjeringa and Didgeridoo : Australian Identity Devices on Polyphonic Spatiality of The Adventures of Priscilla, Queen of the Desert, Stephan Elliottsmall AustLit logo Ilha Do Desterro : A Journal of English Language
Newspapers:
    Powered by Trove
    X