image of person or book cover 3567500234372041733.jpg
Image courtesy of publisher's website.
y separately published work icon Your Scratch Entourage selected work   poetry  
  • Author:agent Kris Hemensley http://www.poetrylibrary.edu.au/poets/hemensley-kris
Issue Details: First known date: 2016... 2016 Your Scratch Entourage
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AbstractHistoryArchive Description

'i’m not sure it was ethics – politics, really – psychological – therefore everything to do with orientation, including a special sense of facing in the right direction, which, over time, i’ve attached to H Corbin’s interpretation of Sufism’s ta’wil – via Olson, Kelly & co – ‘the inevitable connection resulting from the double emphasis on the ‘visionary’ and the ‘processual’ that has been the heartland of our poetry from Blake and Whitman to Pound, Williams and Olson et al’ (G Quasha & C Stein, the Robert Kelly issue of Vort Magazine, edited by B Alpert, New York, 1974) – gloriously remembered from one’s 1970s Melbourne reading & discussion – hah! the Rushall Crescent Avant-Garde! – world wide web of the New Poetry – American, English, Australian – so, four or five years ago it was, hearing out another sentence from my familiar repertoire of negation, J Kinsella challenged ‘and what about the ethics of withholding?’ – ‘i’ll have to think about that,’ i said – buying time, postponing performance – till now, i guess, when a year-long conversation with prospective publisher K MacCarter about singularity, locality, expatriation, eased by occasional tots of the Japanese good stuff – during which i sometimes recast him as a Jonathan Williams, dual squire of Dentdale, Cumbria & Scaly Mountain, North Carolina, notwithstanding the Minnesota Lutheran he owned up to be – this between-ourselves correspondence ultimately delivers – and in leasttroubled unsureness for yonks – these English sweets – that is to say, all palate & tongue – my just desserts.

–Kris Hemensley' (Publication summary)

Publication Details of Only Known VersionEarliest 2 Known Versions of

    • Melbourne, Victoria,: Cordite Press , 2016 .
      image of person or book cover 3567500234372041733.jpg
      Image courtesy of publisher's website.
      Extent: 96p.
      Note/s:
      • Published December 1, 2016
      ISBN: 9780975249253
      Series: y separately published work icon CorditeBooks : Series 2 Melbourne : Cordite Press , 2016 10421555 2016 series - publisher poetry Number in series: 1

Works about this Work

A Review of Kris Hemensley’s Your Scratch Entourage” Rebecca Kylie Law , 2020 single work review
— Appears in: Communion Literary Magazine , December no. 14 2020;

— Review of Your Scratch Entourage Kris Hemensley , 2016 selected work poetry
A Life in Words : Gig Ryan Launches ‘Your Scratch Entourage’ by Kris Hemensley Gig Ryan , 2016 single work review essay
— Appears in: Rochford Street Review , October – December no. 20 2016;
'Reading Kris’s book has been a great salutary reminder of what poetry can be, beautiful language under pressure of thought and emotion, commemorative, unpredictable, a life, in words. There is also the specific Englishness of the poems, the poet in nature, following from Wordsworth and Coleridge. As he puts it in ‘Against Dread’ – ‘Natural’ is all that knows itself without an artist’s contribution’. Kris could, at a stretch, be seen as part of the British Poetry Revival that occurred in the 1960s, partly as reaction against the so-called Movement poets, then seen as bleak and ‘uptight’, but much more he is a seminal figure in Australian poetry, as both poet and catalyst of the equivalent revival here. ' (Introduction)
A Review of Kris Hemensley’s Your Scratch Entourage” Rebecca Kylie Law , 2020 single work review
— Appears in: Communion Literary Magazine , December no. 14 2020;

— Review of Your Scratch Entourage Kris Hemensley , 2016 selected work poetry
A Life in Words : Gig Ryan Launches ‘Your Scratch Entourage’ by Kris Hemensley Gig Ryan , 2016 single work review essay
— Appears in: Rochford Street Review , October – December no. 20 2016;
'Reading Kris’s book has been a great salutary reminder of what poetry can be, beautiful language under pressure of thought and emotion, commemorative, unpredictable, a life, in words. There is also the specific Englishness of the poems, the poet in nature, following from Wordsworth and Coleridge. As he puts it in ‘Against Dread’ – ‘Natural’ is all that knows itself without an artist’s contribution’. Kris could, at a stretch, be seen as part of the British Poetry Revival that occurred in the 1960s, partly as reaction against the so-called Movement poets, then seen as bleak and ‘uptight’, but much more he is a seminal figure in Australian poetry, as both poet and catalyst of the equivalent revival here. ' (Introduction)
Last amended 10 Nov 2016 08:50:32
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