Cirrus@Austlit

'Zahra Newman is remarkable in the director’s last production with the company' 

'Drawing on the harsh realities of drought and flood, STC’s production of Angus Cerini’s Into the Shimmering World  is an exploration of silent shame and suffering.'

'The comedian’s new standup show feels at times like a work in progress – but maybe that’s the point' 

'Andrew Upton’s thoughtful and affecting adaptation of Chekhov’s The Seagull traverses ideas of art, ambition, passion and change. By Cassie Tongue.' 

'The double reality staged in Do Not Go Gentle, Patricia Cornelius’s poetic exploration of ageing and dementia, brings the lives of the disenfranchised into sharp focus. By Cassie Tongue.'

'Set in one of Australia’s oldest university colleges, playwright Kendall Feaver proffers big ideas and prowling debates – with no easy answers'

John Bell’s solo show One Man in His Time reveals his mastery of Shakespeare’s language – and the limitations of the classic English writer’s claims to universality. By Cassie Tongue.

'Returning to the stage after almost two decades, Alma De Groen’s Wicked Sisters now reads like a study of the generational failures of white feminism. By Cassie Tongue.' 

'Can a queer, female-led story set in Australia's Tivoli circuit be the next Great Australian Musical?'

'When Australian playwright Kendall Feaver started researching her first full-length play, she stumbled across a genre of literature she had never heard of, which she describes as "self help for parents — how to actively work out if your child has a mental illness".' (Introduction)