'Evoking a myriad of emotive commentaries through photographic tactile plasticity becomes redundant when relating to Indigenous perceptions. Is my cultural influence pure, am I challenging the myths of a people frozen in time, is the visual narrative a confronting commentary, does the work deconstruct the ideology of an ancient culture evolving in contemporary society? Whilst the physical images conjure a conceptual environment in which primeval connotations are challenged, have I categorised the advancement of civilisation and with that a prescriptive view that isolates, divides and perpetuates the myth of what I am attempting to narrate? ...'