Cirrus@Austlit

'A classic mystery, a dazzling transformation

'The award-winning creative team behind the sold-out smash hit The Picture of Dorian Gray returns with another vivid adaptation of a Gothic classic, transformed for the stage through engrossing live video. Written and directed by STC Artistic Director Kip Williams, this spellbinding adaptation of Robert Louis Stevenson’s mystery for the ages is set to be an unmissable production on the cutting edge of theatrical and cinematic design.

'Penned by one of the English language’s greatest writers, Strange Case of Dr Jekyll and Mr Hyde follows London lawyer Gabriel Utterson as he attempts to unravel the mysteries surrounding his friend Dr Henry Jekyll and the shadowy new presence in his life: Mr Edward Hyde. One of the most gripping and intricate tales ever told, this chilling detective story has captivated artists and audiences alike for generations.

'Two virtuosic actors – Matthew Backer (Cloud Nine, A Midsummer Night’s Dream, Chimerica) and Ewen Leslie (Julius Caesar, Rosencrantz and Guildenstern Are Dead, The War of the Roses) – will perform all the roles in the thrilling chronicle of the doomed and divided Jekyll, the rapacious Hyde, and the transfixed Utterson, caught in between, in a dazzling production that will blur the lines between good and bad, the self and the other, the public and the private, and the artist and the audience.' (Production summary)

'Oscar Wilde’s century-old moral fable, packed with witticisms, is as devilishly wicked today as on its debut.

'Seeing himself in a dazzling new portrait, an exquisite young man makes a Faustian wish for eternal youth. Dorian Gray throws himself into a life of wanton luxury drifting from the pampered salons of Victorian London to the darkest recesses of the capital, and revelling in the splendour of his beauty which remains forever golden. Meanwhile, the portrait – banished to an attic – becomes more and more grotesque.'

Source: Sydney Theatre Company.

'On the banks of the Georges River, Radha and her son Siddhartha release the ashes of Radha’s mother – their final connection to the past, to Sri Lanka and its struggles. Now they are free to embrace their lives in Australia. Then a phone call from Colombo brings the past spinning back to life, and we are plunged into an epic story of love and political strife, of home and exile, of parents and children

'Counting and Cracking is a big new play about Australia like none we’ve seen before. This is life on a large canvas, so we are leaving Belvoir St and building a Sri Lankan town hall inside Sydney Town Hall. Sixteen actors play four generations of a family, from Colombo to Pendle Hill, in a story about Australia as a land of refuge, about Sri Lanka’s efforts to remain united, about reconciliation within families, across countries, across generations.'

Source: Belvoir St Theatre.

'A great Australian novel. A landmark theatre event. A portrait of Sydney as it once was.

'The world premieres of The Harp in the South: Part One and The Harp in the South: Part Two are designed to be enjoyed as one unforgettable, epic theatrical experience.

'This major new work is one of the most ambitious productions STC has ever created. Celebrated playwright Kate Mulvany has adapted novelist Ruth Park’s revered Australian trilogy – Missus, The Harp in the South and Poor Man’s Orange – and spread these beloved stories across two equally ambitious plays.

'The two parts stand alone, but together they offer over five hours of monumental, exuberant theatre. It’s a moving family saga and a celebration of Sydney in all its funny, gritty glory.'

Source: Publisher's blurb.

'If anyone can write a full-throttle drama of our colonial past, it’s the indomitable Leah Purcell.

'We all know Henry Lawson’s story of the Drover’s Wife. Her stoic silhouette against an unforgiving landscape, her staring down of the serpent; it’s the frontier myth captured in a few pages. In Leah’s new play the old story gets a very fresh rewrite. Once again the Drover’s Wife is confronted by a threat in her yard, but now it’s a man. He’s bleeding, he’s got secrets, and he’s black. She knows there’s a fugitive wanted for killing whites, and the district is thick with troopers, but something’s holding the Drover’s Wife back from turning this fella in…

'A taut thriller of our pioneering past, with a black sting to the tail, The Drover’s Wife reaches from our nation’s infancy into our complicated present. And best of all, Leah’s playing the Wife herself.' (Publication summary)