Cirrus@Austlit

'Wen Zhou is a first-generation daughter of Chinese migrant parents. She has high expectations from her parents to succeed in school, especially her father whose strict rules leave her feeling trapped. She dreams of creating a future for herself more satisfying than the one her parents expect her to lead. 

'Then she befriends a boy named Henry who is also a first generation immigrant. He is the smartest boy at school despite struggling with his English and understands her in a way nobody has lately. Both of them dream of escaping and together they come up with a plan to take an entrance exam for a selective school far from home. 

'But when tragedy strikes, it will take all of Wen’s resilience and tiger strength to get herself and Henry through the storm that follows. 

Source: Publishers blurb.

'I have questions I’ve never asked. Worries I’ve never shared. Thoughts that circle and collide and die screaming because they never make it outside my head. Stuff like that, if you let it go—it’s a survival risk.

'Sixteen-year-old Nate McKee is doing his best to be invisible. He’s worried about a lot of things—how his dad treats Nance and his twin half-brothers; the hydro crop in his bedroom; his reckless friend, Merrick.

'Nate hangs out at the local youth centre and fills his notebooks with things he can’t say. But when some of his pages are stolen, and his words are graffitied at the centre, Nate realises he has allies. He might be able to make a difference, change his life, and claim his future. Or can he?

'This is How We Change the Ending is raw and real, funny and heartbreaking—a story about what it takes to fight back when you’re not a hero.'

Source: Publisher's blurb.

'Is it possible for two very different teenagers to fall in love despite high barbed-wire fences and a political wilderness between them?

'Anahita is passionate, curious and determined. She is also an Iranian asylum seeker who is only allowed out of detention to attend school. On weekdays, during school hours, she can be a ‘regular Australian girl’.

'Jono needs the distraction of an infatuation. In the past year his mum has walked out, he’s been dumped and his sister has moved away. Lost and depressed, Jono feels as if he’s been left behind with his Vietnamese single father, Kenny.

'Kenny is struggling to work out the rules in his new job; he recently started work as a guard at the Wickham Point Detention Centre. He tells Anahita to look out for Jono at school, but quickly comes to regret this, spiraling into suspicion and mistrust. Who is this girl, really? What is her story? Is she a genuine refugee or a queue jumper? As Jono and Anahita grow closer, Kenny starts snooping behind the scenes…'

Source: Publisher's blurb.

'Subhi's imagination is as big as the ocean and wise as the sky, but his world is much smaller: he's spent his whole life in an immigration detention centre. The Bone Sparrow is a powerful, heartbreaking, sometimes funny and ultimately uplifting hymn to freedom and love.

'Sometimes, at night, the dirt outside turns into a beautiful ocean. As red as the sun and as deep as the sky. I lie in my bed, Queeny's feet pushing up against my cheek, and listen to the waves lapping at the tent.

'Subhi is a refugee. Born in an Australian permanent detention centre after his mother fled the violence of a distant homeland, life behind the fences is all he has ever known. But as he grows, his imagination gets bigger too, until it is bursting at the limits of his world. The Night Sea brings him gifts, the faraway whales sing to him, and the birds tell their stories.

'The most vivid story of all, however, is the one that arrives one night in the form of Jimmie, a scruffy, impatient girl who appears from the other side of the wires, and brings a notebook written by the mother she lost. Unable to read it, she relies on Subhi to unravel her own family's love songs and tragedies.

'Subhi and Jimmie might both find a way to freedom, as their tales unfold. But not until each of them has been braver than ever before.' (Publication summary)

'Michael’s older brother dies at the beginning of the summer he turns 15, but as its title suggests The Incredible Here and Now is a tale of wonder, not of tragedy. Presented as a series of vignettes, in the tradition of Sandra Cisneros’ Young Adult classic The House on Mango Street, it tells of Michael’s coming of age in a year which brings him grief and romance; and of the place he lives in Western Sydney where ‘those who don’t know any better drive through the neighbourhood and lock their car doors’, and those who do, flourish in its mix of cultures. Through his perceptions, the reader becomes familiar with Michael’s community and its surroundings, the unsettled life of his family, the girl he meets at the local pool, the friends that gather in the McDonalds parking lot at night, the white Pontiac Trans Am that lights up his life like a magical talisman. Suitable for young readers from 14 years of age.' (Publisher's blurb)